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Abbey White

Associate Editor & News Writer

Abbey White is a contributing writer and the former associate editor/news writer for The Hollywood Reporter’s digital team, where they reported, edited and web produced features spanning film, TV, awards, theater, animation, children's & family, inclusion and more. A Craig Newmark Graduate School of Journalism at CUNY alum, they’ve been recognized as a 2022 Curve Emerging Journalist, ASME Awards finalist, National A&E Journalism Awards winner and GLAAD Media Award nominee, among other honors.

More from Abbey White

With ‘Deli Boys,’ Jenni Konner Is Hoping to Strike a Chord

The 'Girls' and 'Single Drunk Female' executive producer talks about launching her fresh, inclusive new Hulu comedy during a tumultuous time: "This is the first noisy show I've been on since 'Girls.' People are talking about it."

From ‘The Wizarding World’ to ‘How to Train Your Dragon’: Behind Universal Epic Universe’s Attractions

For International Women's Day, ten women from the NBCUniversal creative team tease new details about the major theme park launch in Orlando on May 22.

‘Mayfair Witches’ Showrunner Unpacks Finale Fates, Talks Anne Rice Crossovers and Hopes for Season 3

"Rowan is thinking about the battle to come," explains Esta Spalding of the ambiguous final shot on star Alexandra Daddario.

Wondery Partners With New Game Maker Dreambo From Hollywood Comedy Veterans (Exclusive)

Friends Sean Hayes, Carrie Aizley and Robin Ruzan are among the Dreambo team set to launch a new game night venture, beginning with the Relatable-produced 'QU!CK QU!CK QU!CK.'

Alexandra Daddario on If You Can Trust Rowan Heading Into ‘Mayfair Witches’ Season 2 Finale

The star of the second AMC series in the Anne Rice Immortal Universe franchise also talks about her character’s flaws and relationships — and a potential season three. 

How Epic Universe Is Building Its Marketing Blitz Ahead of the Major Theme Park’s Launch

Universal Destinations' exec Alice Norsworthy breaks down the emotion, guest previews and multiple platforms (like the Super Bowl) to tell the story of the first big U.S. theme park launch in two decades.

Ramy Youssef and Mo Amer on the Bittersweet Final Season of ‘Mo’: “Everything Going on Now Made It More Powerful”

The Netflix comedy’s EP along with its star-creator discuss crafting their timely ending, exploring Palestinian culture, portraying immigration detention centers and whether there’s more 'Mo' story to tell.

Adrien Brody on His ‘The Brutalist’ Accent, Being “A Bit Concerned” About Filming in VistaVision and If He Will Direct

The Oscar-nominated actor spoke about his catalog of work, as well as his performance in the Brady Corbet-directed film, on Sunday night at the 92NY.

How Universal Studios Hollywood Aims to Shake Up Theme Park After-Hours Events 

Members of the Los Angeles park’s executive and culinary team explain how the Halloween Horror Nights-inspired spring event Fan Fest Nights will carve out its own space in the pop culture events industry.

Steven Spielberg Recalls “Hard-Fought Victory” to Stop ‘E.T.’ Sequel: “I Didn’t Have Any Rights”

The director spoke about the 1982 blockbuster alongside star Drew Barrymore as part of a TCM Classic Film Festival: New York Pop-Up  x  92NY conversation on Saturday.

‘American Primeval’ Team on Portraying the Brutal History of America’s Westward Expansion: “The Truth of This World Is Violent”

Director Peter Berg, executive producer Eric Newman, Indigenous Consultant Julia O’Keefe, stars Taylor Kitsch, Betty Gilpin, Irene Bedard, Kim Coates, Derek Hinkey and more discuss the show's approach to fact and fiction, particularly in its depiction of violence: “We are holding up something of a mirror.”

How ‘Goosebumps: The Vanishing’ Cleared Four Minutes of Taylor Swift’s “Down Bad” and Crafted a Cinematic, Dual-Generation Soundtrack

Music supervisors Manish Raval and Tom Wolfe also discuss how each season's locations and eras shape their selections, getting Travis Scott and HVME’s “Goosebumps” remix for season one: “We knew we had to use it.”