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Angie Han

Television Critic

Angie Han has been a TV Critic at The Hollywood Reporter since 2021, writing about new and returning series across broadcast and streaming platforms. Previously, she has worked as an Editor and Film Critic at Mashable, a Managing Editor at Slashfilm and a Featured Film Critic on KPCC's AirTalk.

More from Angie Han

‘O’Dessa’ Review: Sadie Sink in a Post-Apocalyptic Rock Opera With Maximalist Style and Minimal Substance

Kelvin Harrison Jr. and Murray Bartlett also star in the retelling of the Orpheus and Eurydice myth by writer-director Geremy Jasper ('Patti Cake$'), premiering at SXSW.

‘The Studio’ Review: Seth Rogen’s Apple TV+ Hollywood Comedy Is So Hilarious It Hurts

Kathryn Hahn and Ike Barinholtz also star in the series about a beleaguered film executive, co-created and directed by Rogen and Evan Goldberg.

‘Deli Boys’ Review: Hulu’s Upbeat Crime Comedy Is Mostly Empty Calories

The Onyx Collective-produced series centers on two Pakistani American brothers who inherit an underground drug empire from their seemingly upstanding father.

‘Daredevil: Born Again’ Review: Disney+’s Marvel Series Is More of the Same, Mostly for the Better

Charlie Cox and Vincent D'Onofrio reprise their roles as superhero/lawyer Matt Murdock and mob boss Wilson Fisk, respectively, in a continuation of the 2010s Netflix drama.

20 Times the Oscars Got It Wrong

Yes, we're still talking about 'Crash' winning the best picture over 'Brokeback Mountain,' but we also can't get over snubs for 'Selena,' 'The Lego Movie,' 'Hoop Dreams,' 'L.A. Confidential' and more. Also, how have Glenn Close and Annette Bening never won an Oscar?!

‘Running Point’ Review: Kate Hudson Anchors a Netflix Basketball Comedy Only Kind of Worth Rooting For

Mindy Kaling co-created the Lakers-inspired series about a reformed party girl who unexpectedly becomes the president of the juggernaut sports franchise owned by her family.

Critics’ Conversation: ‘The White Lotus,’ ‘The Pitt’ and Other Winter TV Downers and Distractions

THR's TV critics weigh in on recent shows reflecting the dark national mood — conspiracies and corruption and corporate greed, oh my! — as well as a few providing unexpected comfort (blood-splattered ER docs, thank you for your service).

‘Grosse Pointe Garden Society’ Review: NBC’s Suburban Murder Dramedy Fails to Flower

AnnaSophia Robb, Melissa Fumero and Aja Naomi King play members of a club who become tangled up in a bloody and mysterious death.

‘Suits LA’ Review: Stephen Amell Flounders in NBC’s Tonally Confused, Narratively Jumbled Legal Drama

Billed as a spinoff of the beloved USA Network dramedy, the series centers on a former federal prosecutor from New York who's pivoted to practicing entertainment law in California.

‘Good Cop/Bad Cop’ Review: Leighton Meester Headlines The CW’s Charmingly Breezy Police Procedural

The hour-long dramedy centers around a brother-sister detective duo solving crimes with their police-chief father in a small town in the Pacific Northwest.

‘Win or Lose’ Review: Pixar’s Disney+ Series Should Have Been a Home Run

Each of the eight episodes focuses on a different character's perspective in the week leading up to the championship game for an adolescent softball league.

‘Yellowjackets’ Review: Showtime Hit Struggles to Find Its Footing in Intriguing but Wobbly Season 3

The drama finds now-grown survivors dealing with the aftermath of Natalie's death in the 2020s while, in the 1990s, their stranded teenage selves enjoy the relative ease of summer.